Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. The voices seem to pile on top of each other, bringing this sublime, contrapuntal drama to a close.This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). In the final moments, the five voices enter into a thrilling hyperstretto in which only one note separates each statement of the fugue subject. Listen to the way all of these voices weave together and overlap. This is followed by a rare five-voice fugue-there are only two in the entire Well-Tempered Clavier. The fugue subject includes a stunning, upward-leaping minor ninth. From the opening bars, listen to all of the wrenching, dissonant tension in the harmony. The prelude is filled with a sense of deep longing. B-flat minor, with its five flats, exudes a darkly-veiled warmth and melancholy. Throughout the collection, Bach explores all 24 major and minor keys, each of which comes with its distinct atmosphere. 22 in B-flat minor, BWV 867. This comes near the end of Book 1 of The Well-Tempered Clavier, published in 1722. Here, the Belgian harpsichordist Kris Verhelst performs Bach’s Prelude and Fugue No. Bach’s works in time for the Netherlands Bach Society’s centenary in 2022. The project will conclude with a complete catalogue of J.S. It’s time to return to the Netherlands Bach Society for another recently released performance.Įvery Friday the organization adds a new high quality video recording to its website as part of its All of Bach initiative.
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